ROBERT KEMPE
Pseudonyms
Robby Valentine
Instruments
basgitaar, gitaar, toetsinstrumenten, zang
Mentioned in the biography of
1990
Erwin Musper
1991
Erwin Musper
1993
Valensia
1994
Ad Vanderveen
1998
Ayreon
Biography Robert Kempe
Played in
1st Avenue
toetsinstrumenten, zang
Aniday
componist, gitaar, toetsinstrumenten, zang
Robby Valentine
toetsinstrumenten, zang
V
basgitaar, gitaar, toetsinstrumenten, zang
Zinatra
toetsinstrumenten
Discography Robert Kempe
Albums | Singles | Compilations | Other | Guestperformance
Valensia - Valensia
| Act | Robert Kempe |
| Type and year | CD, 1993 |
| Label | Mercury |
| producer | John Sonneveld |
| engineer | John Sonneveld |
| gastmuzikant | Marcel Schimscheimer |
| gastmuzikant | Robert Kempe |
| gastmuzikant | Emmy Verhey |
| gastmuzikant | Jody Pijper |
Ad Vanderveen - Sooner Or Later
| Act | Robert Kempe |
| Type and year | CD, 1994 |
| Label | VIA, 995025-2 |
| gastmuzikant | Michel van Dijk |
| gastmuzikant | Pim Koopman |
| gastmuzikant | Nadieh |
| gastmuzikant | Emile den Tex |
| gastmuzikant | Anthony Del Monte Lyon |
| gastmuzikant | Robert Kempe |
| gastmuzikant | Jim Morrison |
| producer | Bart Sloothaak |
| gastmuzikant | Werner Cornand |
| gastmuzikant | Dan Shergold |
| gastmuzikant | Marc Klaassen |
| gastmuzikant | Hans Molenaar |
Ayreon - Into The Electric Castle
| Act | Robert Kempe |
| Type and year | CD, 1998 |
| Label | Transmission, TM-014 |
| producer | Oscar Holleman |
| gastmuzikant | Jan van Feggelen |
| gastmuzikant | Thijs van Leer |
| gastmuzikant | Ton Scherpenzeel |
| gastmuzikant | René Merkelbach |
| gastmuzikant | Sharon den Adel |
| gastmuzikant | Robert Westerholt |
| gastmuzikant | George Oosthoek |
| gastmuzikant | Ed Warby |
| gastmuzikant | Jack Pisters |
| gastmuzikant | Roland Bakker |
| gastmuzikant | Anneke van Giersbergen |
| gastmuzikant | Ernö Olah |
| gastmuzikant | Robert Kempe |
| Chart position |
19-09-1998, Albumlijst, 7 weeks, number 49
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In the discography you will find all recordings that have been released listed chronologically. We restrict ourselves to the title, the type of audio, year of publication or recording, label, list of guest musicians, plus any comments on the issue.
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