POLO DE HAAS
Period
25-09-1933 - current
Genre
classical, componist, contemporary classical music, improvised, jazz, piano, Zilveren Vriendenkrans
Online
Polo de Haas
“Pianist and composer Polo de Haas is an all-round musician who moves with ease from one genre to the next, be it new music, classical music or jazz” (De Gooi en Eemlander, 2000). He is an advocate of contemporary music and a “musical chameleon” (de Volkskrant, 2005). Many composers have ...
Instruments
componist, piano
Mentioned in the biography of
1955
Robert Nasveld
1972
Harry Sparnaay
1991
Leo van Oostrom
2011
Greetje Bijma
2016
Tomoko Mukaiyama
Biography Polo de Haas
“Pianist and composer Polo de Haas is an all-round musician who moves with ease from one genre to the next, be it new music, classical music or jazz” (De Gooi en Eemlander, 2000). He is an advocate of contemporary music and a “musical chameleon” (de Volkskrant, 2005). Many composers have dedicated works to him. Since the 1960s, De Haas has had a duo with the jazz drummer Pierre Courbois. He also regularly performs with the voice artist Greetje Bijma. Polo de Haas is a specialist in the music of Simeon ten Holt and has participated in many recordings of it. He presents an annual multi-genre concert series (the Polo de Haas Series). De Haas also composes. “My career is a bridge between extremes”. (NRC Handelsblad, “Polo de Haas over de kloof”, 1995). De Haas has performed recitals in Eastern and Western Europe, Japan, Canada, Korea, Cuba and the United States.
1959 - 1960
Polo de Haas (1933) studies piano at the Amsterdam Conservatory with Jan Odé where he graduates cum laude. He continues his studies with Jacques Février in Paris and Eduardo del Pueyo in Brussels. The Amsterdam Concertgebouw awards him the Zilveren Vriendenkrans.
1962 - 1964
Polo de Haas wins first prize at the ICC Piano Competition in Amsterdam. He performs Maurice Ravel's 'Piano Concerto in G' with the Concertgebouw Orchestra conducted by Bernard Haitink and tours the Netherlands with most of the major Dutch orchestras. After, he continues his studies with Jacques Fëvrier in Paris and Eduardo del Pueyo in Brussels.
1964
De Haas returns to the Netherlands, and Ramses Shaffy asks him to be the accompanist in a new sort of presentation, Shaffy Chantant. There, De Haas plays the music of (contemporary) Dutch composers such as Léon Orthel, Willem Pijper, and Alphons Stallaert as well as his own music. In addition, he introduces the music of Erik Satie in the Netherlands.
1970
With the singer Dora Jannakopoulou, he performs songs of the resistance by political prisoner and composer Mikis Theodorakis.
1971
De Haas gives a Satie recital in the Amsterdam Concertgebouw. In the following years the music of Erik Satie gains unprecedented popularity.
1972
De Haas and Harry Sparnaay perform under the name Fusion Moderne at the Gaudeamus Competition. They are awarded a special prize and are so well appreciated that composers around the world begin writing for them. With Theo Loevendie, De Haas establishes the Stichting Alternatieve MuziekPraktijk (STAMP) [Foundation for Alternative Musical Practice], which organizes groundbreaking concerts in the Felix Meritis concert hall in Amsterdam.
1973
The music publisher Donemus brings out an edition of De Haas' composition 'Pinoa'.
1974
De Haas reaches a wider audience in the Netherlands by presenting the VARA television programme Spelen met Muziek [Playing with Music].
1975
He composes 'Orgella', for two pianos eight hands, on a commission from the Utrecht Conservatory. The Orgella piano quartet, including De Haas, which was formed to play the piece, stays together for some time. Theo Loevendie, Jacques Bank, Robert Nasveld and others write for the quartet.
1980
After a period of scarcely playing the piano, De Haas experiments with electro-instrumental music in coordination with the Steim Foundation and creates with the composer Peter Schat the piece 'Koenloen', on a poem by Mao Zedong. He often performs in the Netherlands and abroad with the Amsterdams Elektrisch Circus.
1983
De Haas plays with Pierre Courbois and Leo van Oostrom at the North Sea Jazz Festival.
1988
After recording Simeon ten Holt's 'Horizon', the piano quartet of De Haas, Yoko Abe, Margaret Krill and Fred Oldenburg remain together as the Horizon Kwartet.
1990
De Haas tours Canada, performing mostly his own music. He tours in the Netherlands with the (music) theatre company Boulevard of Broken Dreams.
1994
He organizes the first of his annual concert series that presents classical, contemporary, improvised and non-Western music together with poetry, film, dance, the graphic arts and expositions at the Beurs van Berlage in Amsterdam.
1994
He participates in the School der Poëzie Foundation's theatre programme Poëzierevue [Poetry Revue], an upbeat theatrical presentation for youths with poetry, breakdance, rap, and music.
1995
He begins working on a series presenting music and poetry, Poëzie in Groeneveld at the Groeneveld Castle in Baarn. The poets who participate include Remco Campert, J. Bernlef, and Jan Wolkers.
1996
In recognition of his contribution to Dutch music, De Haas is made a Knight of the Order of the Netherlands Lion.
2000
Jazz Nu writes about De Haas en Courbois' CD 'Gong': “This is jazz: two musicians who along the musical path flirt, love, spark, reject, and embrace each other. (…) De Haas is a master of suggestion and mood, and Courbois' drum rolls add to the intensity”.
2005
A German musicologist discovers a previously unknown work by J.S. Bach in a birthday poem: the aria 'Alles mit Gott und nichts ohn' Ihn', from 1713. De Haas records the music with the soprano Claron McFadden.
2007
He makes programmes titled 'Muziek en Poëzie' with Pierre Courbois and actress Kitty Courbois.
2009
De Haas returns to the North Sea Jazz Festival with Pierre Courbois. Steinway honours him as a Steinway Artist. His yearly concert series is now held in the Amsterdam Concertgebouw.
Discography Polo de Haas
Albums | Singles | Compilations | Other | Guestperformance
Ramses Shaffy - Alleen Als Je Me Verleidt
Act | Polo de Haas |
Type and year | 2CD, 1994 |
Label | Mercury, 5222882 |
gastmuzikant | Thijs van Leer |
gastmuzikant | Dick Visser |
producer | Thijs Chanowsky |
producer | Gerrit den Braber |
producer | Otto Vrienzenberg |
producer | Eric Boom |
gastmuzikant | Nico van der Linden |
gastmuzikant | Louis van Dijk |
producer | Ruud Bos |
gastmuzikant | Jan Mol |
gastmuzikant | Roy Henninger |
gastmuzikant | Aïs Lawa-Lata |
gastmuzikant | Carel Prins |
producer | Chris Pilgram |
producer | Evert de Vries |
gastmuzikant | Polo de Haas |
In the discography you will find all recordings that have been released listed chronologically. We restrict ourselves to the title, the type of audio, year of publication or recording, label, list of guest musicians, plus any comments on the issue.
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