| No. |
Name |
| 1 |
Jasper van Hulten
|
| Executive Lounge Gatecrashin' Hyper Heavensabove |
| 2 |
Eric van der Westen
|
| jazz world improvised Working Dreamer Diepkloof And Other Songs From The Book IIQ NAALA And More Songs From The Book Song for Nomsa En Blanc et Noir # 4 Me Myself And I, Looking At The Music Of Charles Mingus It Is What It Is Rush Hour The Night And The Daydreamer Keeping The Dream Whence & Whither Gezz? For The Time Being Tone-Tune Tempo The Yellow House Executive Lounge The World Over Mettle No Smoke Tiri Vaviri The Divine Cockeyed Glimpse Iedereen Klopt |
| 3 |
Jeroen van Vliet
|
| on drums, records a number of CDs for which they take up residence in the famous Oslo Rainbow Studio. Trumpeter Eric Vloeimans asks him to play Fender Rhodes in his electric group Gatecrash. In other bands he can also be heard on this instrument, like trumpeter Angelo Verploegen's Executive Lounge and the Joris Posthumus Quartet. Van Vliet is also an in demand musical partner for singers like Ineke van Doorn, Kristina Fuchs and Simin Tander.
jazz improvised Van Vliet performs in a trio format (with Jerome |
| 4 |
Angelo Verploegen
|
| they play as a double duo. VPRO radio makes recordings, which the Japanese Libra Records will release two years later. The same night also sees the premiere of the new quartet Executive Lounge. With this band Verploegen wants to 'investigate lounge-like grooves and sounds in a semi-acoustic setting', according to the liner notes of the CD, which is released in 2007. Jeroen van Vliet plays Fender Rhodes in the group and the rhythm section consists of bassist Eric van der Westen and drummer Jasper van Hulten |
| 5 |
Ack van Rooyen
|
| Ack van Rooyen (born as Arie van Rooijen in The Hague, 1 January 1930) is the Dutch trumpeter with the longest service record. As a youngster he takes up the flugelhorn in a brass band where his father is on the executive committee. In the course of his career this instrument will, alongside the trumpet, remain his favorite, and in the end his sole instrument of choice. His main source of inspiration is Clifford Brown. Discussing one of his recordings he remarked: 'That's my idol. This is trumpet playing |
| 6 |
Léon Orthel
|
| at the Amsterdam Conservatory of Music in 1949. From 1947 to 1970 he presided the Composers' Section of the KNTV (Royal Association of Professional Musicians), and from 1957 to 1972 he presided the executive committee of the Johan Wagenaar Foundation.
Compositions
As of 1930 he began to establish his independence as a composer. Particularly in the years 1934-1938 he strove to achieve a personal idiom in composition, disassociating himself from the polytonal and atonal techniques prevalent at the time, for which |
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