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No.	Name
1	Xelor

2	James Tylor

3	Else van Epen-De Groot
contemporary classical music Een dag uit het leven van ... : een luchthartig experiment voor 2 solostemmen: tenor en bas-bariton, gemengd koor en orkest / en Else van Epen-de Groot - (muziek); door: Ernst van Altena - (tekst)
4	Benedict Weisser
contemporary classical music Whispered Truths : for six singers and ensemble of twelve instruments / Benedict Weisser ; text by Marcel Proust Kavanah : for cantor (tenor) soloist, mixed choir and 8 instruments / Benedict Weisser Al-peh : for wind ensemble : 1990 / Benedict Weisser Abulafia : for vibraphone and prerecorded voices / Benedict Weisser
5	Ziggurat
world Theo Loevendie sopraansaxofoon Kristina Fuchs mezzosopraan Fang Weiling erhu Bassem Alkhouri qanun tenor Raphaela Danksagmüller duduk blokfluit mezzosopraan Matthijs Koene panfluit Karin Preslmayr viola da gamba Rick Stotijn contrabas Victor Vega García contrabas Diego Espinosa drums bariton
6	Ensemble Zerafin
world Bassem Alkhouri qanun tenor Diego Espinosa drums bariton Fang Weiling erhu Karin Preslmayr viola da gamba Kristina Fuchs mezzosopraan Matthijs Koene panfluit Raphaela Danksagmüller duduk blokfluit mezzosopraan Victor Vega García contrabas
7	Elmer Schönberger
contemporary classical music Monsterkoffer : for clarinet(s) / Elmer Schönberger Quattro sonetti di Gaspara Stampa : per mezzosoprano, contralto e 14 strumenti : 1986-1987 / Elmer Schönberger Dr. Haydn's universe : for speaker, wind octet and percussion : 1999 / Elmer Schönberger MeerMin : voor basfluit, viool, cello en harp : 1990 / Elmer Schönberger Drie interrupties : for 3 trumpets in C : 2005 / Elmer Schönberger Het lege kwartier = (Dimora del vuoto) : voor tenor, sopraan en ensemble : 1991/1995
8	Anton Havelaar
contemporary classical music Quartetto : per sassofoni : 1991 / Anton Havelaar Passacaglia : voor piano solo : 1990 / Anton Havelaar Bifrons : for percussion, tenor saxophone, harpsichord and bass guitar : 1992 / Anton Havelaar De reis : for orchestra : 1994 / Anton Havelaar Marsua : for mezzo soprano and string orchestra : 1996 / Anton Havelaar; text: Hugo Claus No tango : for accordion quintet : 1995 / Anton Havelaar Pas de rondeau : for clarinet in b flat : 1997 / Anton Havelaar
9	Reza Namavar
contemporary classical music Schreeuwuijl : for ensemble / Reza Namavar De Dauwboog : for orchestra / Reza Namavar De metalen radiovlinder : concerto for horn and small ensemble / Reza Namavar Draaijkomeet : for tenor saxophone and ensemble / Reza Namavar In de magmakamer : voor viool en piano / Reza Namavar J’accuse : film music / Reza Namavar Kraaijlook : for string quartet, saxophone quartet, percussion and piano / Reza Namavar Far away in the ocean : for twelve violoncellos and soprano / Reza Namavar ; text: Toon Tellegen
10	Gerard Kockelmans
; [tekst] (Paul van Ostaijen) Plaintes d'un chrétien : voor tenor en piano : 1956 / Gerard Kockelmans; tekst: Jean Racine Polonaise : voor sopraan en piano : 1963 / Gerard Kockelmans; tekst: Paul van Ostaijen Die wandeler : voor tenor en piano : 1960 / Gerard Kockelmans Formatie : voor bas/bariton en piano : 1961 / Gerard Kockelmans; tekst: Mathieu Rutten Christus heri et hodie : mannenkoor - trombones / Gerard Kockelmans
11	John W.M. Slangen
contemporary classical music Vijf variaties : voor violoncello en piano / John W.M. Slangen Twee liederen : voor sopraan (of tenor) en 11 spelers : 1989 / tekst Wiel Kusters; John Slangen Touter : voor viool, violoncello en piano / John W.M. Slangen Drei Offertorien : für vierstimmig gemischten Chor a cappella : 1979 / John W.M. Slangen Partite diverse : über einen eigenen Choral : für die Orgel : 1982 / John W.M. Slangen Quaestio : fünf Sätze für Streichorchester : 1981 / John W.M. Slangen Dragspel : for 6 accordions : 1997 / John Slangen
12	Jean Sevriens
contemporary classical music Sagitaure : for flute and harp : 1989 / Jean Sevriens Astre : for harp : 1988 / Jean Sevriens Songs from Diana : for voice (soprano or tenor) and guitar : 1986 / Jean Sevriens; poems by Diana Hedrick Le dernier rendez-vous : pour soprano et piano : 1986-1989 / Jean Sevriens; poésie de Rosemonde Gérard Synthops : voor viool solo : 1990 / Jean Sevriens Tag und Zeit : for soprano, violin, violoncello and piano : 1989-1992 / Jean Sevriens; text by F. Hölderlin Breath and bars : für Flöte, Vibraphon und Marimba = for flute, vibraphone and marimba / Jean Sevriens
13	Herman van Dam
contemporary classical music Contrasts : for flute solo : 1985 / Herman van Dam Rituals in transfigured time : for alto or tenor saxophone solo : 1988 / Herman van Dam Stringed attrition : for violin and piano : 1986 / Herman van Dam Wochenbuch 87 : for string quartet : 1987 / Herman van Dam Who's afraid of black, white and time : Contrasts II : for saxophone quartet : 1988 / Herman van Dam Improvisations : for clarinet and piano : 1989 / Herman van Dam Three nocturnal pieces : for orchestra : 1987 / Herman van Dam Small talk : 7 progressive studies : for piano : 1989 / Herman van Dam Rage, rage, against the dying of the light : (in memoriam Gustav Martin Blok) : for saxophone quartet : 1984 / Herman van Dam
14	Jacques Reuland
Reuland Linea : voor strijkkwartet : 2006 / Jacques Reuland Canzoniere : voor sopraan, klarinet en piano : 1999 / Jacques Reuland; op gedichten van Francesco Petrarca, Eugenio Montale, Jorge Guillén en Gaius Valerius Catullus Stabat Mater : voor sopraan, tenor gemengd koor en orkest : 1998 / Jacques Reuland Simus hic sedentes : voor mannenkoor a cappella : (1964) / Jacques Reuland Job : voor mannenkoor met begeleiding van orgel of koperinstrumenten / gedicht van Hein de Bruin; getoonzet door Jacques
15	Koos Serierse
Slaapliedje Thérèse In Het Theater De Wortels Van Het Kwaad Swimming Into Deep Water Dirk Van Der Ploeg Saximental Journey Basic Train Pim Jacobs Presents Ball Of The Band Chopin Schablone Kaleidoskoop Multi Jazzy Blue Guitar Finished Product Modal Soul Modal Soul Prototype The Jamfs Are Coming! Chasin' The Bird: Rein de Graaff Plays Charlie Parker Cloud People Cloud People Duo Rifftide Bluebird Jubilee Jubilee Be-Bop, Ballads & Blues Blue Greens & Beans Tenor Conclave We Love Music Baritone Explosion! Live At Nick's After You've Gone: Terug Naar Toen, Deel 5 Nostalgia Nostalgia Now Is The Time Broadcast Business '76 Broadcast Business '76 Live At Ronnie Scott's The Very Best Time : The Christmas Album Confimation Limericks Uit De Maagdenkelder
16	David Little
electronics and tape : 1990 / David Little Stonehenge study 12 : for tenor saxophone : 1991 / David Little Stonehenge study 11 : for violoncello : 1990 / David Little Fluctuations : for flute, oboe, clarinet (B [flat]), bassoon, horn (F) & piano : 1991 / David Little Reality sandwiches : four songs for tenor voice and pianoforte : 1989 : revision 1992 / David Little; based on poems by Allen Ginsberg Barnard's star : for two guitars : 1991 / David Little; [fingering by Remco de Haan & Erik Westerhof] Triple
17	Wouter Paap
[van der Weel] Declamatorium De drukkunst / Wouter Paap; [tekst] (Joost van den Vondel) Sterre der zee : voor sopraan-solo, gemengd koor en orkest / tekst: Jan Engelman; muziek: Wouter Paap Muziek ter bruiloft : solo-cantate voor tenor en orkest / [tekst] (Joost van den Vondel); Wouter Paap Nocturne / Wouter Paap Sonatine : voor piano : (1944) / Wouter Paap Staet op mijn hoge vrolickheit / muziek van Wouter Paap; [tekst van] Zuster Bertken Vijf minneliederen : op middeleeuwse teksten : liederencyclus voor sopraan of tenor met piano-begeleiding / Wouter Paap
18	Pierre de la Rue
of Austria. He writes 30-plus parody, paraphrase and requiem Masses, about 30 motets, settings of the Magnificat, settings of the Lamentations, 2 Kyries, 5 Credos, 3 Marian antiphons, ca. 46 chansons, 22 of them attributed to De la Rue, and Dutch songs. renaissance music classical. Pierre de la Rue is born around this year in Doornik [Tournai], in present-day Belgium. He is a tenor at the St. Gudula's Church in Brussels. He is a tenor at St. James' Church in Ghent and then at the Church of Our Lady
19	Jacques Urlus
Experts agree that Jacques Urlus, the fabled heroic tenor who sang the great Wagnerian roles in all of the leading opera houses, was a unique vocalist and probably the greatest singer ever in the Netherlands. Wherever he performed, music critics were filled with praise. Daniël de Lange, for example, wrote after a performance of Tristan und Isolde: “There he wondrously made his glorious voice heard in a manner producing riches for the ear”. (Trouw, June 19, 1997) The Weekblad voor Muziek spoke of his
20	André Douw
choir, was written for the Tokyo Philharmonic Chorus. Styx (1982), for violin and string orchestra, was commissioned by the Nederlands Kamerorkest (Dutch Chamber Orchestra). For the 65th anniversary of the K.R.O. broadcast company he composed Ave Maria (1989), for contralto, tenor, choir and orchestra. Publications In 1994 he published an article on Symposion, the opera by Peter Schat and Gerrit Komrij, in the periodical Mens & Melodie. A. Douw 1997 Pianostuk I : (piano solo) : 1976 : revisie 1983
21	Hans Henkemans
violoncello ed orchestra : 1988/1989 / Hans Henkemans Élégies : pour quatre flûtes et orchestre : 1967 / Hans Henkemans Concerto no. 3 : per pianoforte ed orchestra : 1992 / Hans Henkemans De tooverfluit : vijf liederen voor tenor en orkest : 1946 : orkestratie 1985 / Hans Henkemans; op tekst van Bertus Aafjes Voici trois bohémiens : kerstlied uit de Provence : 1968 / bewerking van Hans Henkemans Etude no. 2 : voor piano / Hans Henkemans Sonata : per pianoforte / Hans Henkemans Sonate : voor twee piano's / Hans
22	Nico van der Linden
/ Nico van der Linden Kyrie : uit de grote Missa in e kl.t. : voor vierstemmig mannenkoor met orkest, piano of orgelbegeleiding / Nico van der Linden Noord- en Zuid-Hollands volkslied / tekst en muziek: Nico van der Linden Wals serioso : orkest : 1962 / Nico van der Linden Memorial : respectfullly dedicated to the memory of Franklin D. Roosevelt : composition in one part for orchestra : (Elegie) / by Nico van der Linden Scherzo / Nico van der Linden Mis : in d kl. t. : voor sopraan, tenor, bas, gemengd koor, kinderkoor en symfonieorkest / Nico van der Linden -
23	Groep Ohm
of the Laren Jazz Festival, and manage to win the first prize. Groep Ohm releases its first album on their own label Syntohn: Skokian. In March the trio does a tour, with the English saxophonist Trevor Watts and tenor saxophonist Ab Baars (who takes part in Langenhuijsen's workshops) as special guests. In April Groep Ohm is awarded the Wessel Ilcken Prijs. At the award ceremony they play in a special sextet format, featuring Baars and the saxophonists Peter Cornelis (soprano) and Rob van Stratum (alto
24	Joe Vanenkhuizen
Over the years Joop van Enkhuizen (Wormerveer, 24 June 1939) reinvented himself several times. He starts out as a middleweight bop tenor saxophonist who gradually comes under John Coltrane’s spell. In the early eighties he makes a great comeback with a number of albums featuring well-known American sidemen. In 2000, disillusioned with what he sees as the hardly original European jazz scene, he decides to focus on three-quarter time signatures, and playing the accordion. jazz At the age of ten he is given
25	Arno Bornkamp
at that city's Sweelinck Conservatory. He makes his debut as a soloist in Rome playing the 'Concertino da Camera' by Jacques Ibert. He co-founds – with his fellow students Johan van der Linden, André Arends and Willem van Merwijk – the Aurelia Saxophone Quartet, a professional ensemble in which he still plays the tenor saxophone. Bornkamp briefly tours with the National Youth Orchestra as the alto saxophone soloist in Claude Debussy's 'Rhapsody'. He begins a duo with the pianist Ivo Janssen. In addition
26	Alphons Diepenbrock
: 1918 / Alphons Diepenbrock; edited by Désirée Staverman & Odilia Vermeulen Missa in die festo : 1890-94 : voor tenor, dubbel mannenkoor en orgel = for tenor solo, double male choir and organ / Alphons Diepenbrock; edited by Ton Braas & Odilia Vermeulen Reij van Burchtsaeten : Waar werd oprechter trouw : SATB / Alphons Diepenbrock; tekst uit: Vondel's Gijsbrecht van Amstel De groote hond en de kleine kat : voor gemengd koor à cappella / muziek van Alphons Diepenbrock; gedicht van Albert Verwey Tibur
27	Ado Broodboom
From 1937 until approximately 1980 Ado Broodboom (Amsterdam, 14 November 1922) is active as a trumpeter in many combos and big bands. In 1941 he graduates from the Amsterdam Conservatory, where he has studied classical trumpet with Marinus Komst. It isn't until the end of WW II that he can start out as a jazz musician. He plays with The Grasshoppers, in Piet van Dijk's orchestra, with the American drummer Wallace Bishop and with tenor saxophonist Kid Dynamite. Under the pseudonym Ado Moreno he forms
28	Rudolf Escher
Trois poèmes de Tristan Corbière : for voice and piano : 1936 : (revision 1947) / Rudolf Escher Le vrai visage de la paix : for chamber choir : 1953 : (revision 1957) / Rudolf Escher; text by Paul Eluard La vie du sieur de Dalibray : for tenor and piano : cycle of eight poems by Vion Dalibray : 1947-1949 / Rudolf Escher Sonatina per pianoforte : (1951) / Rudolf Escher Horcajo : for mezzo-soprano and piano : 1941 / Rudolf Escher; poem by Mercedes Legrand Lettre du Mexique : for baritone and piano
29	Rudi Martinus van Dijk
touch of the BluesNM Extra 98014 Two Lieder : (1957) : for soprano and piano / Rudi M. van Dijk; text: D. von Liliencron I died for beauty : (1965) : for soprano and piano / Rudi M. van Dijk; text: Emily Dickinson Christmas cantata ' Now is the prophet's time' : (1967) : for tenor, children's voices, mixed choir and orchestra / Rudi M. van Dijk; text: George Johnston Lied : (1979) : for soprano, flute and piano / Rudi M. van Dijk; text: William Blake Pianotrio : for violin, violoncello and piano : 2001
30	Gesualdo Consort Amsterdam
a penchant on many of its CDs for presenting previously unrecorded music and has been acclaimed in the media for the high quality of its singing (Fono Forum, September 2006, and Gramophone, February 2006) and the clarity of its interpretations (Diapason, September 2006). The group performs throughout Europe. contemporary classical music renaissance music baroque classical. Stephanie Petitlaurent sopraan Nele Gramss sopraan Marnix De Cat countertenor Marcel Beekman tenor Harry van Berne tenor Koen van Stade
31	Ruud Brink
Ruud Brink (Haarlem, 9 August 1937 – Haarlem, 29 June 1990) teaches himself to play the clarinet at the age of thirteen, and soon becomes a professional musician. Inspired by clarinetist Dim Kesber he starts out playing Dixieland, but when he discovers modern jazz, the saxophonists making up The Brothers in the Woody Herman band become his new role models. Stan Getz and Zoot Sims are his greatest idols. In 1953 Brink switches to tenor saxophone, and he also starts singing, in the manner of Chet Baker. From
32	Cees Slinger
with guitarist Eddy Christiani, bassist Ted Powder and trumpeter Rob Pronk. In Pronk's band Slinger switches to double bass when the bassist suddenly leaves. For a year he is a fulltime bass player. During an engagement in Scheveningen The Diamond Five takes shape. In weekends Slinger is allowed to extend his trio with extra musicians. With Harry Verbeke (tenor sax) and Cees Smal (trumpet, flugelhorn, valve trombone) he has an immediate click. Between 1958 and 1961 the group plays at the Sheherazade for nearly
33	Ger van Leeuwen
Ger van Leeuwen (Amsterdam, 26 September 1919 – Bussum, late February 2008) became widely known for his activities in broadcasting during the first two decades after WW II. He leads various ensembles, from trio to big band, but never tours with any of them. He receives his first piano lessons at age seven, and also starts playing the tenor saxophone. At the age of sixteen he gains experience in trombonist/arranger Pi Scheffer's amateur band, the Blue Ramblers. During the German occupation he breaks off his
34	Camerata Trajectina
as such themes as the dance of death and the 'Souterliedekens' [Psalm songs]. The ensemble performs regularly at the Holland Festival of Early Music in Utrecht and has given hundreds of concerts in the Netherlands and Flanders. It has toured the world, from Europe and North America to Ghana and Indonesia. classical. Erik Beijer viola da gamba percussie Saskia Coolen blokfluit Louis Peter Grijp luit citer Nico van der Meel tenor Hieke Meppelink sopraan Suze van Grootel sopraan Sytse Buwalda countertenor Marcel
35	Harry Miller
der Erven is the drummer of the band, which continues until 1980. He starts his own sextet, featuring the saxophonists Trevor Watts and Willem Breuker. The group records the LP In Conference. Miller permanently moves to Amsterdam, and is offered a role in tenor saxophonist Jan Cees Tans's quartet, where he is one of two bassists (the other being either Ernst Glerum or Arjen Gorter), with Han Bennink or Petro Nykyruj on drums. Later Sean Bergin joins the band, making it a quintet. When Willem van Manen
36	De Zes Winden
altsaxofoon Even before the start of the major American saxophone quartets (World Saxophone Quartet, ROVA) baritone saxophonist Ad Peijnenburg decides to assemble an improvising saxophone quartet: De Vier Winden. Without a rhythm section, but featuring the four standard saxophones: soprano (Horst Rickels), alto (Jan Willem van der Ham), tenor (Frank Jongen) and baritone (Peijnenburg). All group members provide compositions, which are usually quirkier than the groove based repertoire of many American saxophone
37	Ton Bruynèl
soundtracks / Ton Bruynèl La dernière pavane : for mixed choir and soundtracks : 1989 / Ton Bruynèl Ascolta : for tenor solo, mixed choir and soundtracks : 1988 / Ton Bruynèl; text by Bert Schierbeek Toccare for soundtracks and harpsichord : 1988 / Ton Bruynèl Tropico : for tenor, bass baritone and soundtracks : 1989/1990 / Ton Bruynèl; text by Bert Schierbeek Schrootsonate : for harpsichord and soundtracks : 1990 / Ton Bruynèl Dust : for organ and soundtracks : 1991/1992 / Ton Bruynèl La vertigine
38	Geert van Keulen
Orchestra's centenary. This work was premièred on October 25, 1990, under Riccardo Chailly. A commission by the Royal Concertgebouw Orchestra, also for the centenary, resulted in Tympan pour grand orchestre (1990). In 1991 he wrote Fingers for tenor saxophone and orchestra and in 2001 Hoornconcert for Jacob Slagter and the Royal Concertgebouw Orchestra. 2001 Wals : harmonie orkest : 1981 : (rev. 1983) / Geert van Keulen Disco : fanfare : 2001 / Geert van Keulen Onkruid : voor 5 violen en piano : 1979 / Geert van
39	Jacques Bank
: 1975 / Jacques Bank The memoirs of a cyclist : voor twee blokfluitisten : 1967 / Jacques Bank; [revisie Haarlem 1970] Blue monk : for clavichord : (1974) / Jacques Bank Wave : bass recorder, percussion : 1975 / Jacques Bank John Clare : for tenor and 15 instruments : 2000/2001 / Jacques Bank; text: John Clare Monsieur Racine mène la danse : six danses pour piano : 2004 / Jacques Bank Tonal colours : for organ : 2004 / Jacques Bank Vier Lieder ohne Worte : für Streichquartett : 2006 / Jacques Bank
40	Pieter Bakker
, Groningen and Amsterdam, as well as in Jever (Germany), and broadcasted on Dutch radio. (2004) Op de Schraarder Hemdijk : voor klarinet en piano : 1989 / Pieter Bakker Studie nr 2 : for descant and tenor recorder or flute and piccolo and organ : 1990 / Pieter Bakker Langs de Schraarder Vaart : for harp, clarinet and violoncello : 1990 / Pieter Bakker Sandfirden : for two bass recorders : 1991 / Pieter Bakker Herfststerren : for wind quintet : 1992 / Pieter Bakker Zestien kwadraat : for wind band : 1992 / Pieter Bakker Sandfirden III : for saxophone quintet and string quintet : 1995 / Pieter Bakker Muziek over het water : for wind band : 1991 / Pieter Bakker
41	Theo Abazis
with Tristan Keuris. 1998 Vintage Brisk attractive MORALITIES : for large ensemble : 1994 / Theo Abazìs Leugens : voor twee blokfluiten, klarinet, altviool en clavecimbel : 1993 / Theo Abazis Quasi improvvisazione : for clarinet solo : 1991 / Theo Abazis Aquarel : for three solo recorders (soprano-sopranino, alto-sopranino, tenor-sopranino) and recorder ensemble (ssaattbb) / Theo Abazis Algos : for violin and orchestra : 1993 / Theo Abazis Erotikon : a bed-tale for adults : for mixed choir and poet : 1996 / Theo Abazis Psalms : for violoncello solo : 1993-1994 / Theo Abazis
42	Eduard de Boer
/ Eduard de Boer Concertino : over een Nederlands volksliedje : voor violoncello en orkest : opus 7, nr 2 : 1980 : (revisie 1991) / Eduard de Boer The wedding of the moon and sun : (fragment of a Caucasian romance) : cantata for soprano, tenor, mixed chorus and orchestra : opus 25 : 1991/1992 / Eduard de Boer; text by Ian Burton Lieder und Tänze der Nacht : opus 26 : voor sopraan en snaarinstrumenten : 1992 / Eduard de Boer; naar gedichten van Rainer Maria Rilke Hommage aan Dmitri Sjostakowitsj / Eduard
43	Henri Broeren
en small ensembles, soloists and frequently for combinations of instruments and electronics. Haec dies : gemischter Chor = mixed choir / Henri Broeren Vier concert-etudes : for the preparation and study of the tremolo : for marimba solo : opus 4 : 1991-1992 / Henri Broeren Borzo : five concert pieces for the study of modern techniques : for flute solo : opus 1 : 1988 / Henri Broeren Exposition and developments : for viola and piano : opus 2 : 1988-1989 / Henri Broeren Hoe hard is hout : for soprano, alto, tenor and baritone saxophones, computer and sound generators : 1989 - 1992 / Henri Broeren; Geurt Grosfeld
44	Tom Riedstra
Riedstra Majesteit : string quartet in three movements : 1987 / Tom Riedstra Vorst : twee stukken voor strijksextet : 1987 : revisie 1989 / Tom Riedstra Milkshake : music for piano, voice (soprano or tenor) and bongos : 1980 / Tom Riedstra; text by Doede Veeman Milkshake : music for piano, voice (alto or bass) and bongos : 1980 / Tom Riedstra; text by Doede Veeman
45	Theo Smit Sibinga
: pour chant et piano : 1955 / les improvisations de Kiki (4 ans), Jacki (5 ans) et Irma (7 ans); Smit Sibinga Concert in G gr.t. : 1.violoncel met orkestbegeleiding : december 1937 / Th.N. Smit Sibinga Los Borrachos : (Cuadro de Velasquez) : violoncelle & piano : 1953 / Smit Sibinga Beren-variaties : voor drie blokfluiten (alt-tenor-bas) : 1951 / [Th.H.] Smit Sibinga 3 Indische stukjes : voor 2 fluiten en piano / Th.H. Smit Sibinga
46	Gerrit de Marez Oyens
: (Matth. 7: 7,8) : 3-stemmig gemengd koor en dwarsfluit (of een ander instrument) : 1982 / Gerrit de Marez Oyens Gelukkige Hans / muziek en tekst van Gerrit de Marez Oyens Huiben komt nog / bewerking Gerrit de Marez Oyens Psalm 148 : tenor solo, hobo & fagot, twee trompetten, twee trombones, mannenkoor : 1958/1964 / Gerrit de Marez Oyens Gij zijt de zin van wat wij zijn / Gerrit de Marez Oyens; tekst: J.W. Schulte Nordholt; liedcantate op een melodie van Jan van Biezen Ciacona : voor beiaard / Gerrit de Marez Oyens
47	Evrim Demirel
for Young Composers 2003 he won the finalist diploma with Evolution. During the Young Composers Project 2004 of Holland Symfonia Demirel received the NOG Incentive Prize for Ottoman miniatures. 2006 Cross-linked : for ensemble and 2 improvisors / Evrim Demirel Quotations : for ensemble : 2006 / Evrim Demirel Saz Semaisi no. 2 : for clarinet in E-flat, harp, violin, violoncello and piano : 2006 / Evrim Demirel Heterophonic : for orchestra / Evrim Demirel Five pieces : for string orchestra : 2007 / Evrim Demirel Ottoman miniatures : for orchestra : 2004 / Evrim Demirel Kwintolen : for reed quintet / Evrim Demirel Sint Nicolaas Suite : for children’s choir, tenor solo and ensemble / Evrim Demirel
48	Patrick van Deurzen
private composition students. Patrick van Deurzen wrote for the Aicart festival Cantigas d'amor for tenor and piano (performed in- and during Porto/Rotterdam cultural capital 2001). The Netherlands National Youth Choir performed Eight Scenes from Alice during the World Choir Symposium in Japan 2005. The Schoenberg Ensemble performed in 2006 Six: a line is a dot that went for a walk. The DoelenKwartet performed in 2009 van Deurzen's first stringquartet Seven. The Latvian Radio Choir performed his If I were
49	Henk Bijvanck
: voor piano : gecomp. in 1944 / Henk Bijvanck 2de symphonie Cis gr.t. : voor groot orkest : gecomp. in 1965 / Henk Bijvanck 7 liederen voor hoge stem : (zang en piano) : 1943 / Henk Bijvanck; (Guido Gezelle) Drei Balladen : voor tenor en piano / Henk Bijvanck; op tekst van Schaukal 5 liederen voor sopraan en piano : gecomp. 1968 / Henk Bijvanck; (dichters: Cl. Brentano, Chr. Morgenstern, Rich. Schaukal) Twee liederen : voor altstem, hobo en orgel / comp.: Henk Bijvanck; text: J. v. der Waals All-Leben
50	Rein de Graaff
Rein de Graaff (Groningen, 24 October 1942) gains fame as the accompanist of tens, if not hundreds of American jazz soloists. He starts out as a self-taught musician in trad jazz bands, but develops into a versatile pianist. He makes a name for himself through his quartet with the tenor and soprano saxophonist Dick Vennik. Since the eighties De Graaff has been concentrating on the bebop as it was invented in the forties and further developed in the fifties. jazz Rein de Graaff takes some classical lessons
51	Eric Ineke
things out on his own. His first gigs are with singer Henny Vonk and tenor saxophonist Ferdinand Povel. In the daytime he works in his brother's Persian carpet shop in The Hague, where he has moved in the meantime. Ineke becomes a full time professional musician when he is offered a long series of educational concerts with the Stork Town Dixie Kids. He regularly works with the pianists Rob Agerbeek and Irv Rochlin, both in their own groups, and as rhythm sections for American soloists, like Ben Webster
52	Jan Bus
) different ways : for violoncello : 1990 / Jan Bus Stalin en de smaak van paardehaver : tenor, 3 baritons en ensemble : 2001 / Jan Bus Flores y lágrimas : para cantáor, guitarra y orquestra = for voice, guitar and orchesta : (flamenco nuevo) / Jan Bus Nocturnal activities : for six percussionists : 1990 / Jan Bus Torso : for 6 percussion players : 1989 / Jan Bus Romeria : for small ensemble : 2000 / Jan Bus Brindis : for small ensemble : 2000 / Jan Bus Chahut : voor fagot en piano : 1991 / Jan Bus Solitude
53	Calliope Tsoupaki
or 3 singers and small ensemble : 2000 / Calliope Tsoupaki; text from the novel 'The hunting gun' by Yasushi Inoue En Plo : for ensemble / Calliope Tsoupaki When I was 27 : for viola and double bass : 1990 / Calliope Tsoupaki Melos hidiston : for voice, tenor recorder, viola, cello, double bass and piano : 1991 / Calliope Tsoupaki Kentavros : for wind ensemble, piano and double bass : 1991 / Calliope Tsoupaki Eros and Psyche = Eros kai Psuke : for wind octet and double bass : 1992 / Calliope Tsoupaki St
54	Simon Pluister
Pluister Slaapliederen voor grote mensen : voor sopraan-solo en kamerorkest / verzen van Peter van Steen; muziek Simon Pluister Psalm 138 : voor sopraan, alt, tenor en bas-solo, (gemengd)-groot-klein en dubbelkoor en orkest / Simon Pluister Psalm 137 : (Babylonische-ballingschap) : voor soli, koor en orkest / Simon Pluister De Emmausgangers : cantate voor soli, koor en klein orkest : (Lucas 24: 13-34) / Simon Pluister Concerto da chiesa : (Het pinksterfeest) : voor 4-5 st. koor, tenor en bas-solo, strijkorkest en orgel / tekst: (samenstelling: E. van Dijck); muziek Simon Pluister Canzona voor strijkorkest / Simon Pluister; (over een melodie van Louis Bourgeois)
55	Masha Bijlsma
trumpeter Eric Vloeimans as guest soloist. Masha Bijlsma's reputation grows, first in Germany, where she gives many concerts, but soon also in the rest Europe and outside, of which successful performances in Indonesia and the US bear witness. In 1996 she invites the American tenor saxophonist Bob Malach to play on her second CD, Lebo. The album is well received. De Volkskrant critic Erik van den Berg writes: 'Her tour-de-force is The Way You Look Tonight, performed at breakneck speed, in which she reminds one
56	Talking Cows
more and more interested in the work of Thelonious Monk (whose music he plays with the group Ugly Beauty, featuring alto saxophonist Benjamin Herman) and Misha Mengelberg. Saxophonist Frans Vermeerssen (Dordrecht, 21 December 1954) is known as an exponent of the Dutch improvised music scene, but he has a certain fondness for the throbbing tenor sound of classical jazz saxophonists like Sonny Rollins and Roland Kirk. Together the pianist and the saxophonist decide to form a new band to bridge the gap between
57	Theo van der Bijl
Bijl; tekst van Jos. van Wely, [C.B. Nuijen en Eduard Brom] Moeders liedje : zangstem met pianobegeleiding / muziek van Theo v.d. Bijl; woorden van Chr. Mertz Priestermorgen = Primizmorgen : = L'aurore du prêtre : lied voor tenor met orgelbegeleidung / muziek van Theo van der Bijl; tekst van Chr. Mertz Volksliedjes : Tweede bundel / van Theo v.d. Bijl; met prentjes van Jan Wiegman Volksliedjes : Derde bundel / van Theo v.d. Bijl; met prentjes van Jan Wiegman St. Franciscus' Zonnelied / vertaling: Chr. Mertz; muziek van Theo v.d. Bijl Missa in honorem St. Willibrordi / auctore Theo v.d. Bijl Ave Maria : ad duas voces aequales comitante organo / Theo v.d. Bijl
58	Willem Boogman
-liederen : for 21-voice mixed choir : 2004 / Willem Boogman; words: five poems by M. Vasalis (text in Dutch) Genieting III : for tenor recorder : 2004 / Willem Boogman Le parole : per soprano e piano/percussione : 1989-1991 / Willem Boogman; parole di Exsilio~ La disciplina dei sentimenti : per strumenti, coro doppio e parte parlata : 1981-1989 / Willem Boogman; libretto di Exsilio~ Genieting : for clarinet solo : 1984 rev. 1992 / Willem Boogman Axis / Ashes : for ensemble : 2005-2006 / Willem Boogman
59	Hans Christian Detlefsen
alternate with each other while additive rhythms enable continuous expansions and contractions of the musical phrases. Prizes In 1974 he was awarded the first prize of the International Gaudeamus Composition Contest for Annäherung for 5 trombones. Compact Discs Malam dan Hari for string quartet and chromatic gamelan (BV Haast 0100-LC 10235) - Fünf Gedichte von Theodor Storm Songs after poems by Theodor Storm (MDG 603 1234-2) 2004 Annäherung : for 5 tenor-bass trombones : 1973 / Hans Christian Detlefsen
60	Rudolf Mengelberg
Mengelberg Capriccio : per pianoforte e orchestra / Rudolf Mengelberg Stabat Mater : voor alt- en tenor-solo, koor en orkest / Rudolf Mengelberg Vlaamsche ballade : "Jong bloed" / Rudolf Mengelberg; [tekst] Guido Gezelle Adeste, fideles : voor gemengd koor a cappella / Rud. Mengelberg Victimae paschali laudes : voor sopraan solo, gemengd koor en orkest : 1945 / Rudolf Mengelberg Zwei Lieder : Op. 13 / Rudolf Mengelberg; nach Texten von Ernst Hardt Requiem : für eine Bariton- oder Alt-Stimme und Orchester : Op. 12 / [Text und Musik von] Rudolf Mengelberg; Ges[ang] und Klavier
61	Jan Zwart
/ Jan Zwart Drie oud-Hollandsche liederen : (uit Valerius' "Gedenckclanck") / van Jan Zwart Suite Kerstfeest nr. 2 / Jan Zwart Bemoediging : voor zang, viool en klavier / Jan Zwart; woorden van B. ten Kate Hymne : "O Gij mijn troost, mijn zoet verlangen" : voor zang, viool en orgel / Jan Zwart; Duitsch van Osterwald]; Nederlandsch van D.C. Meijer; [melodie van J.W. Frank (1681) Een lied van 't lijden : voor een middenstem, met begeleiding van orgel of piano / muziek van Jan Zwart; woorden van J.E. Schröder Zaansch liedeken : lied in volkstoon : voor zang en piano / muziek van Jan Zwart; woorden van N. Beets Cantate "Jezus Uw geboortefeest" : voor tenor, kinderkoor, gemengd koor, strijkorkest en orgel : 1910 / Jan Zwart
62	Rijndert van Woudenberg
, piano and percussion : 2001 / Rijndert van Woudenberg Sadqui : for windensemble and percussion : 2000 / Rijndert van Woudenberg Film : for windensemble, doublebass, piano and percussion : 2000 / Rijndert van Woudenberg Wolf : Reedquintet : 1999 / Rijndert van Woudenberg Preludium non olet : for tenor-saxophone : 1995 / Rijndert van Woudenberg Everything but the City : for two guitars : 2005 / Rijndert van Woudenberg Vertellingen van duizend en één nacht : ouverture voor viool en gitaar / Rijndert van Woudenberg Voorjaar : uit: Hommage aan Vasalis / Rijndert van Woudenberg Diep van mijzelf en van mijn zang vervreemd : uit: Hommage aan Vasalis / Rijndert van Woudenberg Over de schouder / Rijndert van Woudenberg
63	Arjen Gorter
the Consort stems Loevendie's new Quartet, with tenor saxophonist Hans Dulfer, Gorter and drummer Martin van Duynhoven. The group produces two LP's: Theo Loevendie 4tet (1974) and Orlando (1977). Dulfer already knew Gorter from his own group Ritmo Natural, which recorded the LP Candy Clouds in 1970. Willem Breuker and pianist Leo Cuypers start the record label BVHaast. In June the horn player forms his Willem Breuker Kollektief, and since the FMP Workshop Freie Musik in Berlin (March 1975) Arjen Gorter is one
64	Ab Baars
Saxophonist-clarinetist Ab Baars (Magrette, Zeeuws Vlaanderen, 21 November 1955) is a mainstay in a number of important groups from the Dutch improvisation scene, like the Guus Janssen Septet, the Theo Loevendie Quintet, the Instant Composers Pool, the Corkestra and ensembles led by his partner, violist-composer Ig Henneman. The Ab Baars Trio is the main outlet for his work as a band leader and composer. Although he initially plays the soprano and baritone saxophones as well, he concentrates on the tenor
65	Orlando di Lasso
acquires the prestigious post of kapellmeister at the Basilica of St John Lateran in Rome. He takes up residence in Antwerp. His first published music is issued by Gardano in Venice and Susato in Antwerp. Through his increasing fame, he is given a position as a tenor at the court in Munich of Albert V, Duke of Bavaria. Lassus becomes the kapellmeister at Albrecht V's ducal court, a post he would hold for the rest of his life. Along with providing music for the many court ceremonies and festivities, his
66	Jan Menu
In the 1980s Jan Menu (Kloosterzande, Zeeuws-Vlaanderen, 13 June 1962) develops into an eminent saxophonist, a mainstay in many orchestras with a variety of styles. At first he mainly plays the alto and tenor saxophone, but gradually the baritone becomes his main instrument. As a child Jan Menu receives piano lessons and takes his first steps as a saxophonist in the local brass band St. Cecilia. He studies agricultural sciences at Wageningen University for a short while, and soon switches to the Technical
67	Boy Edgar
, however, manage to play occasional gigs. In 1942 he joins tenor saxophonist Kid Dynamite's band, which performs at the Rotterdam Belvedère dance-hall. He also provides compositions and arrangements for Dick Willebrandts's orchestra, like the advanced, Ellington-like piece Ratten Op De Trap, which the band records in 1944. But most of his time is taken up by his medical studies, and he graduates in 1943 . After the liberation of the Netherlands Boy Edgar becomes the regular arranger for Piet van Dijk's
68	Otto Ketting
/ Otto Ketting Eclips : fanfare : 2001 / Otto Ketting Intrada : for trumpet or horn : 1958 / Otto Ketting A set of pieces : for wind quintet : (1968) / Otto Ketting In memoriam Igor Stravinsky : (1971) : for orchestra / Otto Ketting Mars : voor 4 klarinetten en 4 saxofoons (2 alt, 2 tenor) of 8 saxofoons (2 alt, 2 tenor, 2 alt, 2 tenor) : 1979 / Otto Ketting Autumn : for horn and piano : 1980 / Otto Ketting 3 fanfares : 3 trompetten, 3 trombones : 1954 / Otto Ketting Kleine suite : drie trompetten
69	Jurriaan Andriessen
band = harmonie / Jurriaan Andriessen Vijf walsen : voor mandoline en accordeon / door Jurriaan Andriessen Vier gedichten van Revius : voor mezzo sopraan en harp (clavecimbel, orgel of piano) : 1961 [i.e. 1960] / van Jurriaan Andriessen Vijf nageldeuntjes : (1943) : voor sopraan of tenor en piano / Jurriaan Andriessen; (Guido Gezelle) Movimenti II : per oboe, clarinetto, fagotto-solo con archi e percussione : 1972 / Jurriaan Andriessen Ballade : for guitar and harp : 1989 / Jurriaan Andriessen
70	Peter Schat
either becoming dominant: an atonal beginning stands against a Brahmsian espressivo molto. Schat describes the piece as “the transition to a style in which dissonance and consonance have been fully integrated”. The title, he says, refers to “serial music's taboo on melody”. At the same time, he composes for Frans Brüggen 'Hypothema', for tenor recorder and tape. With Louis Andriessen, Jan van Vlijmen, Reinbert de Leeuw, and Misha Mengelberg, he composes the large-scale, happening-like music theatre piece
71	Matthijs Vermeulen
ou pour voix de tenor et piano / Matthijs Vermeulen; [texte de] (Charles Baudelaire) Prélude des origines : pour voix de bariton et piano : 1959 / Matthijs Vermeulen; [texte de] (Georges Ribemont-Dessaignes) Première sonate : pour violoncelle et piano / Matthys Vermeulen La veille : pour voix d'alto et piano : (1917) / Matthijs Vermeulen; poème de François Porché La veille : pour orchestre et voix de mezzo soprano : -1932- / Matthijs Vermeulen De vliegende Hollander = The flying Dutchman : 1930 / Matthijs Vermeulen
72	Joep Straesser
: 1987-88 / Joep Straesser Missa 1969 : for mixed choir and 8 windinstruments / Joep Straesser Summer concerto : (1967) : for solo oboe and chamber orchestra / Joep Straesser Points of contact I : for tenor recorder, marimba and some percussion : 1987 / Joep Straesser Intersections II : voor 100 of meer musici : (Nederlandse versie) : 1970 / Joep Straesser Intersections I : for wind quintet and 5 instrumental groups : 1969 / Joep Straesser Quintuplum : for brass quintet : 1988 / Joep Straesser
73	Bernard van Beurden
, blazers, slagwerk : 1975 / Bernard van Beurden Suite festivo : school orchestra = orchestre scolaire = Schulorchester = schoolorkest / Bernard van Beurden Concerto da caccia : for octet (2 oboes, 2 clarinets, 2 horns, 2 bassoons) and fanfare : 1998 / Bernard van Beurden Wie is Lilith : voor sopraan, mezzosopraan, alt, tenor en bariton : 1997 / Bernard van Beurden; op teksten van Lucebert Tout à coup(e) mondiale : pour accordéon seule : 1986 / Bernard van Beurden Trip : 3 spelers: akkordeon, 2 melodie
74	Mathieu Geelen
vastenavond die komt an / M. Geelen Doodzonde : voor mannenkoor, 3 trompetten, 3 trombones, pauken en slagwerk : 1974 / Mathieu Geelen; op tekst van Ben Sies Psalmus 116 Laudate Dominum : gemischter Chor = mixed choir / Mathieu Geelen Sechs Wasserlieder : für Sopran oder Tenor und elektronische Orgel : 1989 / Mathieu Geelen; Texte von Alphons B. ter Brake Sextet 1990 : voor pauken en koperblazers : 1990 / Mathieu Geelen Drie Maria-motetten : voor twee gelijke stemmen en orgel : 1990 / Mathieu Geelen Sonatina
75	Alex Manassen
Pandarus sings (higher) : (from Shakespeare's Troilus & Cressida) : for soprano, flute, clarinet in E[flat] and piano : 1980 / Alex Manassen Double Helix : klarinet in Bes, piano en symfonie-orkest : 1978 / Alex Manassen Basklarinetconcert : 1981 / Alex Manassen Twee oren om te horen twee ogen om te zien : 8 liederen op tekst van Paul van Ostaijen : versie voor alt, tenor en piano : 1970-1990 / Alex Manassen Twee oren om te horen twee ogen om te zien : 8 liederen op tekst van Paul van Ostaijen : versie voor sopraan, klarinet en piano : 1970-1990 / Alex Manassen
76	Ernst Oosterveld
: for chamber ensemble : 1983/1994 / Ernst Oosterveld Transition states : for chamber ensemble : 2003 / revision 2004 / Ernst Oosterveld Arcolino : for 24 solo strings : 1992 : revision 1994 / Ernst Oosterveld SEQ. : for contrabass and chamber orchestra : 2002 / Ernst Oosterveld Graphic music loops : for alto saxophone : 1983 / Ernst Oosterveld Music loops I : for piano : 1982 / Ernst Oosterveld Music loops II : for alto (or tenor) saxophone solo : 1982 / Ernst Oosterveld Music loops III : for alto
77	Boudewijn Tarenskeen
/ Boudewijn Tarenskeen Solid ashes : for baritone and orchestra : 1988 / Boudewijn Tarenskeen; text by Janine Brogt Aida : voor tenor en piano solo, twee spreekstemmen, gemengd koor en orkest : 1991 / Boudewijn Tarenskeen Blauwe appel : kameropera in acht scènes : 1983/1984 / Boudewijn Tarenskeen; libretto: Karst Woudstra Ave Maria : 2007 / Boudewijn Tarenskeen Drei Choräle : voor gemengd koor a cappella / Boudewijn Tarenskeen Mattheus Passie : 2006 / Boudewijn Tarenskeen Drei Psalmen für Anfänger : 2005
78	Louis Toebosch
: opus 118 / Louis Toebosch; conductor C Psalm 37 : voor 4 st. mannenkoor, blazers, slagwerk / Nederlandse berijming van Gabriel Smit; muziek: Louis Toebosch Sinfonietta : voor mannenkoor en orkest : opus 65 / Louis Toebosch; [op teksten van Hertog Jan I van Brabant en Christine de Pisan] Suite polyphonica : opus 30b : 1963 / Louis Toebosch Thema met variaties : over het lied van Hertog Jan : voor alt-, tenor- en baritonsaxofoon : 1953 / Louis Toebosch Tema con variazioni : flauto dolce contralto o
79	Jazz Orchestra of the Concertgebouw
the American tenor saxophonist Joe Henderson. The band soon gathers speed: since 1996 the orchestra plays every fortnight at Amsterdam Bimhuis. Soon the New Concert Big Band is playing for sold-out crowds. In 1999 the band becomes the Amsterdam Concertgebouw's house band, and the name is adapted accordingly. Over the years the Jazz Orchestra of the Concertgebouw proves that it is possible for one ensemble to play both modern and traditional big band jazz at the highest level. Moreover, the band collaborates
80	Toon van Vliet
him to jazz. Until 1950 Toon van Vliet cannot decide whether he should play clarinet or tenor saxophone, and whether he should choose for the Rotterdam Philharmonic or jazz. Eventually it turns out to be the latter, and in that world he is a highly valued tenorist. 'My career as a clarinetist, for which I sacrificed my entire childhood after all, has failed… Financially jazz is not a worthwhile activity. But that doesn't keep me from playing jazz. I simply have to, it's my life, as it is for all of us jazz
81	Martijn Padding
trumpet : for trumpet solo : 2001 / Martijn Padding Mordants : for violin and piano : 2002 / Martijn Padding Ballad : for ensemble : 1995 / Martijn Padding Scharf abreissen : for orchestra : 1995 / Martijn Padding Fix-us : for ensemble : 1997 / Martijn Padding Shuffle : for ensemble : 1990 / Martijn Padding Five Neo-Neos : for tenor saxophone and piano : 1997 / Martijn Padding Blend : 1991 / revis[i]on 1992 : 1997 : for piano / Martijn Padding Bien mesuré bien : for harpsichord : 1998 / Martijn
82	Jan van Vlijmen
by Arnold Schoenberg and Alexander Zemlinsky. Jan van Vlijmen resigns from the Holland Festival and takes up residence in Normandy, France. Shortly before his death, he finishes the opera 'Thyeste', on a libretto by Hugo Claus. “Music has to be compelling and sombre, but that doesn't mean that I am just strict note-counter. I am bursting with emotions!” Van Vlijmen says that 'Thyeste' has become a “very old-fashioned” opera. “Atreus, of course, is a tenor, what's more a heroic tenor. Thyestes is a dramatic
83	Rokus de Groot
In his compositions, Rokus de Groot explores the expressiveness of melodic contours, polyphony, as well as the possibilities of mutual learning between participants of different cultural traditions. Examples of his works are: Kontur for soprano saxophone (1982), Promenades, Marches et Danses, for small orchestra (1986), Winds of a far air, for flute and soprano saxophone (1991), In Love with the Dancer: Songs of Mirabai I for soprano or tenor solo (1993), Tide of seasons, for wind quintet, string quintet
84	Johan Weegenhuise
Lieder nach Heine : (voor baryton of alt) : aus "Verschiedene neue Gedichte" (1832-1839) / Johan Weegenhuise Vier miniaturen : (1961) : voor (mezzo-)sopraan of tenor en piano / Johan Weegenhuise Triptiek : (1969) : 3 liederen op Nederlandse tekst : voor lage stem en piano / Johan Weegenhuise O Jesu vol genaden / Joh. Weegenhuise; [tekst] Guido Gezelle Och ligdy nu en slaept : voor middenstem en strijkkwartet / Johan Weegenhuise Concert = Concerto per flauto dolce (f1-g3) (o flauto traverso) e orchestra
85	Harold C. King
symphonique : 1964 / Harold C. King Lof van Nederland : bloemlezing van J.W.F. Werumeus Buning : middenstem en pianoforte : 1943 : I / Harold C. King Elckerlijc's bede = (Gebet des Jedermann) : uit "Den Spyegel der Salicheyt van Elckerlyc" : voor bariton of mezzosopraan (origineel voor tenor of sopraan) / Harold C. King 4 Lieder nach Walter von der Vogelweide : für Singstimme und Klavier : 1932 / Harold C. King Dit is uw deel : Pred. IX, 1-10 : bariton solo : 1953 / H.C. King Lof van Nederland : bloemlezing
86	Willem Frederik Bon
of the Concertgebouw Orchestra. Since that time, he was a guest conductor with many Dutch symphony orchestras, as well as two Norwegian orchestras. Bon wrote two symphonies: the 'Usher Symphony' (1968-1970) and 'Les Prédictions' (1970). Between 1976 and 1979 he wrote 'Les Quatre Saisons de Verlaine', a large-scale composition for soprano, mezzo-soprano, bariton, tenor and orchestra. A regularly performed work is 'Eriks wonderbaarlijke reis' (Erik's miraculous journey, 1979) after Godfried Bomans' novel 'Erik', specifically
87	Wolter Wierbos
receives great acclaim for his command of extreme and unusual instrumental techniques. His style is characterized by the use of various mutes, which he uses to manipulate the trombone sound. Outside the Netherlands Wierbos is featured in international bands led by Cecil Taylor, Evan Parker, Frank Gratkowski and others. From 1989 he leads the group Celebration Of Difference for a number of years. It features a Surinam rhythm section and horn players Jarmo Hoogendijk (trumpet) and Ben van den Dungen (tenor
88	Guus Janssen
Snarenwerk : for ensemble : 2007 / Guus Janssen Brake : for piano : (1974) / Guus Janssen Ritmische etude = Rhythmic study : (1979) : for barrel-organ PF : (1985) : for piano, alto-saxophone and percussion / Guus Janssen Ijoh : (1990) : for tenor saxophone / Guus Janssen Vijf kreukels : voor accordeon(s) : 1979 / Guus Janssen Overture Aanvallen van uitersten = Attacks by extremes : (1983) : for recitant and orchestra / Guus Janssen; text: Moniek Toebosch Wening = Weeping : (1992) : for soprano
89	Rob Agerbeek
Slinger, who takes up a fulltime office job with the Hoogovens steelworks. Rob Agerbeek here befriends tenor saxophonist Harry Verbeke, with whom he will regularly record over the next fifteen years. Because he now plays so much bebop, boogie-woogie is temporarily put on the backburner. The Amsterdam based American saxophonist Don Byas forms a quartet with Rob Agerbeek, drummer Leo de Ruiter and bassist Tony van Hall. In the same year Agerbeek marries. For the sake of a greater financial security he takes
90	Wilbert De Joode
BraamDeJoodeVatcher. When tenor saxophonist Rinus Groeneveld wants to record a free jazz album he picks Wilbert de Joode and drummer Pierre van der Linden as his musical partners. Cornetist Eric Boeren, a colleague from Bik Bent Braam, asks De Joode to join his own group Specs. Installation artist Barbara van Loon asks De Joode to compose music for Spring Tide City, a large project at the Scheldekade in the Antwerp harbor, formed with dozens of sea containers, laser lights etcetera. Here he works
91	Wessel Ilcken
' drummer Kees Kranenburg as a boy, Ilcken is self-taught. After the war he joins tenor saxophonist Piet van Dijk's band, in which his wife, Rita Reys, is the singer. With Piet van Dijk they tour Spain and Northern Africa. In 1950 they start the Rita Reys Sextet, which performs highly successfully in Great Britain and at American military bases in Europe and Northern Africa. In January 1953 Wessel Ilcken and Rita Reys leave for Sweden, where they do many club dates and record with saxophonist Lars Gullin. Back
92	Richard Hol
door Richard Hol 12 liederen en gezangen : met klavierbegeleiding : op. 36 : [tekst vanFrisius] : Vergeet mij niet : No. 11 : voor sopran of tenor / gecomponeerd door Richard Hol 12 liederen en gezangen : met klavierbegeleiding : op. 36 : Meimorgen : No. 12 : duo voor sopran en tenor / gecomponeerd door Richard Hol Romanze, Soldatenkoor, Elegie : uit de Heiligerlee cantate : 68ste werk : Romanze : voor eene altstem / klavierbearbeiding van den komponist; muziek van Richard Hol; gedicht van J.E. Banck
93	Hans Kox
= Die ewige Wiederkehr : for orchestra / Hans Kox Notturno e danza : per quartetto con pianoforte ed orchestra d'archi : 1983 / Hans Kox The three chairs : for saxophone trio : 1989 / Hans Kox Symphony no. 4 : Tasmanian Symphony : for orchestra : 2000, revision 2002 / Hans Kox Four studies : for double bass solo : 1988 / Hans Kox Sjoah : "... et l'accusé: Dieu.." (Elie Wiesel) : oratorio for soprano, tenor, bass, mixed choir and orchestra : 1989 / Hans Kox Aussagen : für Mezzo-Sopran mit
94	Available Jelly
; next to Michael Moore he becomes the main purveyor of original music. Following Stuart Curtis Barry Block also leaves the band, but no replacement is sought for him. The remaining quartet records the CD In Full Flail for the German Ear Rational-label in 1989. Tenor saxophonist Tobias Delius is added to the band, and when bassist Eric Calmes also joins Gregg Moore is able to focus more on trombone and tuba. The sextet manages to interest another German label in releasing a new CD. Al(l)ways is published
95	Rita Reys
out on their own. As the Rita Reys Sextet they make their debut on 1 April at the bar-dancing Palace on the Amsterdam Thorbeckeplein. Rita’s brother Karel Reys plays alto sax and clarinet in the outfit; tenor saxophonist Toon van Vliet will later join the group. For nearly three years the Rita Reys Sextet mainly performs at American military bases in Germany and England, but also in Italy, Austria and Northern Africa. In January 1953 Rita Reys and Wessel Ilcken embark upon a new adventure. They leave
96	Kyteman
Tofft percussie Eelco Topper toetsinstrumenten Niels Broos toetsinstrumenten Randell Heye trompet Kobi Arditi trombone Morris Kliphuis hoorn Reazun rap King Jule rap Omar Soulay rap Unorthadox rap Pax rap GMB rap Double G rap Master Surreal rap Patrick Votrian tuba Steven van Gils tenor Blaxtar rap Kasper Tarenskeen zang Nanco de Vries bariton Anthony Heidweiller bariton Tim van Delft drums Kyteman (Utrecht, 1987) plays in various bands, including Relax, and guests with Krezip, Voicst and C-Mon & Kypski
97	Huib Emmer
music electronic mucic and computer music Full Colour Ghost Huib Emmer Pianoduo Cees van Zeeland and Gerard Bouwhuis Pianoduo Cees van Zeeland and Gerard Bouwhuis Radion Modern Compositions Green Desert Bloed en olie = Blood and oil : (1986) : for tenor saxophone and electric guitar / Huib Emmer Point blank : (1991) : two pianos / Huib Emmer Soft gripper : (1993) : for bass clarinet and live electronics / Huib Emmer The twist : (1995) : for live electronics / Huib Emmer Montage : piano [en
98	Jos van Amelsvoort
Amelsvoort has always dissociated himself from the atonal and serial music. His music is influenced by Bach, Bruckner, Franck, Mahler, Debussy and Ravel. Concerto grosso : for orchestra : 1975 / Jos van Amelsvoort Notturno I : per quatordici strumenti : 1982 / Jos van Amelsvoort Schoon lief ... : voor sopr., alt, tenor en bas a. [sic] c. / Jos van Amelsvoort Deux élégies : for 2 flutes, 2 oboes (english horn), 3 clarinets, 4 horns, 2 bassoons and double bass / Jos van Amelsvoort Larghetto e scherzo
99	Bram Hijmans
and variations : for oboe (violin/clarinet) and piano / Bram Hijmans Aestiva amoris = Zomercampagne der liefde : = Love's summercampaign : cantate voor schoolkoor en -orkest : cantata for schoolchoir and -orchestra / Bram Hijmans Take your power in your hand : voor el. gitaar en symfonisch orkest / Bram Hijmans Drie spirituals : v. variabele vocaal-instrumentale bezetting / arr. Bram Hijmans Spinsels : melody instrument (horn F, sax tenor, trombone C, guitar, English horn, viola) and harp / Bram Hijmans StrAx
100	Jochem Slothouwer
) / Jochem Slothouwer Tijd : sopraan en strijkorkest : (2007) / Jochem Slothouwer Mosaico : (2008) : piano / Jochem Slothouwer Sonate : per oboe e pianoforte 5 Fugetive songs : for tenor and piano / Jochem Slothouwer; poems by John Keats Concert variations for piano : and symphonic band / Jochem Slothouwer; [condensed score] Suite : per violino solo : 1982 / Jochem Slothouwer Canti percossi : per pianoforte a quattro mani : 1979 / Jochem Slothouwer Trio : per violino, viola e violoncello : 1981 / Jochem
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