1983 - current
alternative, garage rock, indie rock
Officiële website
Officiële website
Postbus 2686
1000 CR AMSTERDAM
T 020-5210010
E info@agentsafterall.nl
W www.agentsafterall.nl
Van Diemenstraat 158
1013 CN AMSTERDAM
T 020-3031300
E playit@pias.nl
W www.pias.nl
Guitar band from Amsterdam fronted by charismatic singer Peter te Bos that is influenced by garage punk of bands like Gun Club and the Stooges. Gradually, the band's musical style develops into the direction of melodic swamp rock.
John Cameron
gitaar
Marc Lamb
drums
Peter te Bos
zang
Marcus Bruystens
basgitaar
Bobbie Rossini
basgitaar
Arno Kooy
basgitaar
Geert de Groot
basgitaar
Allard Jolles
drums
Marius Schrader
drums
Guitar band from Amsterdam fronted by charismatic singer Peter te Bos that is influenced by garage punk of bands like Gun Club and the Stooges. Gradually, the band's musical style develops into the direction of melodic swamp rock.
Punk rock group Suspenders splits up in 1981 and several members form rock group L'Attentat. In the spring of 1983 L'Attentat guitarist/singer Allard Jolles, forms a second band: Claw Boys Claw. Other members of the band are ex-Suspenders singer Bobbie Rossini on bass, and on guitar (Jolles plays the drums) John Cameron (ex-Odorex). Shortly afterwards singer/graphic designer Peter te Bos joins Claw Boys Claw. The band plays garage rock with influences of psychedelics, acid punk and rock 'n' roll.
Shocking Shades Of Claw Boys Claw is recorded and released on the band's own Hipcat label.
In May 1985 Jolles leaves Claw Boys Claw in favour of his other band L'Attentat. He is replaced by Pilots drummer Marius Schrader.
Claw Boys Claw signs to Polydor. The band makes its first appearance at the Pinkpop festival. During this show frontman Te Bos throws apples, oranges, beer cans, his shoes and his socks into the crowd. In June the album With Love From The Boys, produced by Vic Maille, comes out. The band plays at the Roskilde festival in Denmark.
Claw Boys Claw records the album Crack My Nut. Shocking Shades is re-released on Polydor. Additionally, the album Claw Boys Claw comes out, a compilation of the band's self-released material (the mini album Now!, the single So Mean and the 12" Indian Wallpaper). Also released is the Christmas single Blue Bells.
Claw Boys Claw performs at the New Music Seminar in New York where they meet John Cale who promises to produce the band's next album. They sign to Megadisc and release the new album Hitkillers, a collection of covers of Dutch rock classics.
Bobbie Rossini and Marius Schrader leave the band. Rumours about a new album (produced by John Cale) are again surfacing.
The album Angelbite comes out. It is not produced by John Cale, but by Steve Parker (engineer with The Fall and Dutch vocalist Mathilde Santing). The band goes on - another - successful tour.
Late June the band plays the Parkpop festival in The Hague. In the meantime, Kooy joins La La Heaven and Geert de Groot (ex-Fatal Flowers) takes over on bass.
Late 1992 the album Sugar, a highlight in the band's career so far, comes out. The change in musical direction, that was already apparent on Angelbite, has now become permanent: The garage punk style has had to make way for the more melodic and sultry swamp rock. This has much to do with the fact that the album is produced by Urban Dance Squad drummer Michel Schoots, alias Magic Stick. The subdued single Rosie is the band's first Top 40 hit.
For the second time Claw Boys Claw is on the bill of the Pinkpop festival. Former bass player Rossini turns up in girl group Chicas del Rock that releases the album Neverneverland.
The new album Nipple, produced by Luc Suèr, largely follows the line of Sugar, but is less successful.
Marc Lamb plays the drums on Get Well Soon the second album of Soft Parade.
Claw Boys Claw release the new album Will-O-The-Wisp. The band also tours the Netherlands (by boat) with Scram C Baby and other bands.
All band members occupy themselves with various other projects: Te Bos concentrates on his career as graphic designer. Together with Henk Hofstede from Nits he designs the Media Centre of the Dutch Rock & Pop Institute. Drummer Marc Lamb wins the X3M remix award for his work with dance project Patriot Hills. Bassist Geert de Groot plays with Solex.
Peter te Bos en John Cameron work on a new album.
Former Claw Boys Claw drummer Marius Schrader alias Mars Radar independently releases an electro/synth album under the Wat moniker.
Te Bos and Cameron have written about 60 songs. Together with drummer Marc Lamb they start working on the new material. Lya Spykstra (ex-Bitchcock) is the new bass player. With Lamb she's also part of the trio Tomix.
After a first session in 2006, Claw Boys Claw returns to the studio in February and March with engineer Remko Schouten and with producer Frank van der Weij to record a new album. Before Claw Boys Claw kicks off a new tour, the band plays a try-out show on 1 December in De Lantaarn in Hellendoorn and one on 8 December in club Patronaat in Haarlem.
Frank van der Weij Remko Schouten
Claw Boys Claw kicks off the new tour with a very successful show during the Noorderslag festival in Groningen. The CD Pajama Day (February) features twelve new tracks, written by Te Bos and Cameron, plus a version of Dream A Little Dream Of Me, a Gus Kahn composition from 1931 which was first performed by Wayne King and his orchestra. Guest contributions are by Chris van Veghel (on the track Rock Me Girl) and Ro Halfhide (Yellow Car). On 28 March the band plays a sell-out show in Paradiso, Amsterdam. During the VNPF LiveXS Awards, on 11 June in Paradiso, Claw Boys Claw wins the public's choice award in the category Best Performance. The album Shocking Shades Of Claw Boys Claw is released through Play It Again Sam. The CD includes five bonus tracks. In August the band plays the Lowlands festival.
In the discography you will find all recordings that have been released listed chronologically. We restrict ourselves to the title, the type of audio, year of publication or recording, label, list of guest musicians, plus any comments on the issue.
| Type and year | LP, 1984 |
| Label | Hipcat, 1234 |
| Type and year | LP, 1986 |
| Label | Polydor, 8295 381 |
| producer | Vic Maile |
| Type and year | LP, 1987 |
| Label | Polydor |
| Type and year | LP, 1987 |
| Label | Polydor, 833 4361 |
| producer | Victor van Vught |
| Type and year | LP, 1987 |
| Label | Hipcat, 1234 |
| Type and year | CD, 1988 |
| Label | Megadisc, MDC 7894 |
| gastmuzikant | Jaap van Beusekom |
| producer | Allard Jolles |
| producer | Frank van der Weij |
| gastmuzikant | John Lagrand |
| Type and year | CD, 1990 |
| Label | Solid, 527.9001.20 |
| producer | Steve Parker |
| Type and year | CD, 1992 |
| Label | EMI, 870 916-2 |
| producer | Michel Schoots |
| engineer | Frank van der Weij |
| Type and year | CD, 1994 |
| Label | EMI, 831 127-2 |
| gastmuzikant | Luc Suèr |
| Type and year | CD, 1997 |
| Label | EMI, 859 950-2 |
| producer | Frank van der Weij |
| gastmuzikant | Robin Berlijn |
| Type and year | CD, 2008 |
| Label | Play It Again Sam |
| producer | Frank van der Weij |
| gastmuzikant | Ro Halfhide |
| gastmuzikant | Chris van Veghel |
| Type and year | CD, 2008 |
| Label | Play It Again Sam, 900.0809.020 |
| Type and year | 12", 1985 |
| Label | Unknown |
| B-side | Dirty Dog |
| producer | Ernst Jansz |
| Type and year | 7", 1985 |
| Label | Hipcat |
| B-side | Love Like Seas |
| Type and year | 7", 1986 |
| Label | Hipcat, 885521-7 |
| B-side | Jingle Bells |
| Type and year | 12", 1986 |
| Label | Polydor, 885 187-1 |
| B-side | Susie McKenna/Shakin' The Rocks/Venus |
| Type and year | 7", 1986 |
| Label | Polydor, 885 187-7 |
| B-side | Susie McKenna |
| Type and year | 7", 1987 |
| Label | Polydor, 885 994-7 |
| B-side | The Clapman |
| Type and year | 7", 1988 |
| Label | Megadisc, MD 5270 |
| B-side | The Rose |
| Type and year | CDS, 1988 |
| Label | Megadisc, MDC 5270 |
| B-side | The Rose |
| Type and year | 7", 1990 |
| Label | Solid, 527.9003.22 |
| Type and year | 7", 1990 |
| Label | Solid, 527.9002.40 |
| B-side | Clapping Song |
| Type and year | CDS, 1992 |
| Label | EMI, 872 009-2 |
| B-side | Lambless |
| Chart position |
26-12-1992, Top 40, number 20
|
| Type and year | CDS, 1993 |
| Label | EMI, 872 024-2 |
| B-side | Yoy |
| Type and year | 7", 1993 |
| Label | EMI, 872 017-2 |
| B-side | The keeper |
| Type and year | CDS, 1994 |
| Label | EMI, 872 060-2 |
| B-side | Part one |
| producer | Luc Suèr |
| Type and year | CDS, 1995 |
| Label | EMI, 7243 8 72077 21 |
| B-side | Pparis/Walk Away/Call Me An Angel |
| producer | Alfred Lagarde |
| producer | Luc Suèr |
| Type and year | CDS, 1997 |
| Label | EMI, 7243 8 848952 2 |
| B-side | Horsefly |
| Type and year | CDS, 1997 |
| Label | EMI, 884 895-2 |
| producer | Frank van der Weij |
| arrangeur | Robert van der Tol |
| Type and year | Compilatie, 1998 |
| Label | Vpro, EW 9845 |
1977
Ccc Inc.
1979
Luc Suèr
1982
Hans Dulfer
1983
L'Attentat
1984
Ivy Green
1985
Frank van der Weij
1985
Ivy Green
1985
The Plastic Dolls
1985
The Scene
1986
Paradogs
1987
Brutal Obscenity
1988
John Lagrand
1988
The Riff
1989
Michel Schoots
1989
Urban Dance Squad
1990
Metropole Orkest
1990
Spo Dee O Dee
1991
Ramona's
1992
L'Attentat
1993
Scram C Baby
1993
Shine
1993
Soft Parade
1995
13
1995
Robin Berlijn
1996
Urban Dance Squad
1999
Henk Temming
1999
Solex
2005
Voicst
2007
Remko Schouten